Friday, 9 September 2011

An easy swirly mod with extras

Yesterday I blogged about some of my attempts to get the Petzval swirl effect using home-made lenses in all formats from 4/3, 135 (35mm) to larger formats. The swirl effect is certainly possible with care in all formats, though generally speaking works better on larger formats. The lens-build is a bit involved, and needs some fiddling with sizes to get it right. It occurred to me when writing it that there might be an easier mod that anyone can do to get a lens to swirl on a DSLR or 35mm SLR. So I tried it, and it works. And, to my surprise there a pleasant "extra" waiting for anyone that has a go.

I've not seen this mod anywhere else, so if you mention it to anyone do say you found it here.

Modifying a standard lens

For this mod you need a camera (a 35mm SLR or a DSLR) that takes old fashioned 35mm SLR lenses. Most DSLRs have adapters to do this, or you can use a 35mm SLR. As far as I can see any sensible focal length should work, though some may be more useful than others. I used a 50mm lens on an Olympus 4/3 DSLR. This would be good for portaits and close-up details. It is quite important that the lens has some "depth" i.e. is reasonably long and complicated. A simple meniscus lens may not work.

The idea is, just as in the previous blog to add apertures at the front and rear. They don't have to be the same size, but they do have to be circular and central. I cut out some stiff black paper and glued it on the rear. The hole is about 5mm in diameter. Warning: you don't want paper fouling up your mirror, film or CCD sensor! Make sure the rear one is very firmly in place and it doesn't foul the focusing mechanism of the lens. You'll have to cut it very carefully.

50mm M42 standard lens with new aperture at rear

The one on the front was a good fit so it stays on by itself without any glue. This hole is about 16mm in diameter.

50mm M42 standard lens with new aperture at front

To cut paper, I use a Stanley knife. Then I sand it down with emery paper. Sorry, these are old-fashioned English terms for the tools in question, but I don't know the words in other languages.

The sizes (diameters of the holes) are quite critical and depend on your lens, in particular how long it is, its focal length, and what format you are shooting. I was shooting 4/3 with an image size about 1/2 that of a 35mm negative. For 35mm or "full frame" you might double my sizes. If you get vignetting your holes are too small. If you don't get vignetting they are too large. You want it so that you only just don't get vignetting, or you only get a little. That's for both holes.

Testing it

That's it! Now for the testing. As I said before, this "new" lens will behave just like a normal one most of the time, except that the aperture control won't have much effect except when it is very small. You need the right conditions, in particular to open up wide, focus close and have interesting background. When I tried it it worked straight away.

Evening sun in the woods

Don't look at the flare for a moment - look at the corners, and see how they swirl?

But the flare is a feature of this mod and I wasn't expecting it, but like it a lot. (I don't mean the orange and purple patch - that is due to the glass I was using and I'd seen that before. I mean the obvious white flary thing.) I have seen flares like this before - on roughly cut home-made pinhole cameras. The rough edge of the paper is making the flare. I don't fully understand how it works, and especially don't understand why colours appear. It's something to do with the rough edges behaving like a diffraction grating. But does it matter? Go out and enjoy it!


For the purists, this isn't the true Petzval swirl. These lenses are too good. For the real thing you need to add astigmatism or aberrations. I am not sure how to do that in the context of this "easy" mod. If you have any ideas do let me know.

Thursday, 8 September 2011

The Petzval swirlies

A certain kind of lens (called "Petzval Lenses") are very much in vogue because of the swirly effects they produce. You'll have to make up your mind what you think, but when used tastefully and subtly I rather like the effect .

Here's a Flickr gallery I made of some images with the Petzval swirl, and a few that claimed to have swirl but which are definitely not the real thing:

Does your camera swirl?

Obviously the first thing is to try it and see. You may be surprised. I was when I took a Tokina wide angle lens out a few months ago. This was a lens I had had for years and years, quite liked, but thought I knew it very well, what it could and couldn't do. But I just took some close-up shots of blossom and didn't think anything of it until I had scanned the negatives. I didn't see anything special in the (TTL) viewfinder when I took the shot, but to my astonishment when I looked at the scans, I got lots of swirl:


You need to know what sort of conditions to try, to get the swirlies. When your eye is "in" it gets a bit easier, but to start with make it easy for yourself. You need to focus on something close - so twist the focus right out and get in close to something interesting. You need to have lots of interesting background all out of focus. And you want that background to have lots of tiny points of bright light. Go into the woods on a sunny day, take someone to photograph, or photograph the leaves and branches but always keep an eye on the background for the light coming in between the leaves. To make the background really out of focus open the lens right out to its fastest aperture.

Home-made swirly lenses

So maybe your lens doesn't swirl. You may have noticed that the best swirlies come from very big large format cameras with these old Petzval lenses. (This is, I think true.) What do you do? Buy such a camera and lens?

Well maybe. But it will cost you a lot, and not just money: these cameras are expensive and complicated to use, and the really good swirly lenses are pricey too, and you must have the right lens for the right camera. (With a swirly lens on a camera that's too small you just don't see the swirl.) All this means there's a lot to learn.

Lot of people say Petzval swirl is impossible on small cameras such as 35mm SLRs and DSLRs. I beg to differ. I have done it. But it is harder.

Why does it swirl?

The popular opinion is that a lens fault called astigmatism causes swirls. This may be true. Petzval lenses do have astigmatism. In fact it is certainly true, to some extent: astigmatism does make a lens swirl under certain conditions, but it is not the only reason, and possibly not the main reason.

My theory is that, in most cases, the lens swirls because it has the shape of a long barrel and the swirls are caused by the circular aperture at one end mismatching the circular aperture at the other end. Petzval lenses always had a slot for an aperture in the middle to avoid this problem. (And it's only the crazy people that want the swirls that leave this out.) Other effects like spherical aberration and astigmatism then might help more and make the swirls more pronnounced or change them slightly.

This means to make a lens that swirls you need to make it in a long barrel. Also make the barrel just the right length and the diameter just right too.

The geometry of a long barrel can be simulated by a long tube with two apertures at each end. I made apertures by cutting black card into circles and cutting holes in them. (Be careful: they have to be exactly circular and central.) Otherwise the lens is just like the one I talked about before on this blog. You just need two (roughly equal) close-up filters at the ends of the tube, with an aperture on each.

Here are some examples.

Olympus E-420 with homemade  Petzval-style lens Praktica MTL5B with homemade  Petzval-style lens Home-made Petzval-style lens

They all work. But it is not easy to get these lenses right. As I said, the holes at each end have to be just the right size. Too small and you only see a circular image, too big and you miss the swirls. The focal length of the glass and the length of the tube is important too. Keep experimenting and you'll get there.

This was done with a home-made lens on a 35mm SLR. I got my 4/3 DSLR to swirl too.